Monumental Mozart

An ambitious program by the misnamed Glee Club.  When I think of Glee Club, I think of school songs and cheers, but this choral concert was classical and operatic.  The first piece was short but beautiful by Rachmaninoff.  The second, Dream, was a surprise treat in that it was composed by Dartmouth senior Brian Chalif, a bass and co-president of the glee club.  In a brief impromptu intro, he explained that he wanted to emphasize the different sounds in “Hold”: Huh, Oooh, Ulll, Duh.  I particularly like the tenor and soprano solos with small perfectly done upward pitch slides.

The Magic Flute was a fun section, with the singers acting the part on stage – which helps because it is a very light opera.

After the intermission, it was time for Mozart’s Requiem.  This is a beautiful choral piece, and they did a great job. Some of the young soloists came from Opera North, which should be too surprising as Conductor Burkot is the Artistic Director.  The performance was well done, and it is a treat to hear it live.

Program Notes

Glee Club Hop News

 

Salman Rushdie

Salman Rushdie in Spaulding
photo by Robert Gill

What a treat to be able to see Salman Rushdie in person, here in Hanover.  Even though the line to get in stretched all through the Hop to Moore Theater, there was plenty of room.  He is one of the great writers of the Western World, and to see him in person is a great reminder that an author, even a great author, is also a regular person.

After somewhat stumbling introduction by Dartmouth President Hanlon, Salman came to the stage.  He had a couple of brief quotations, and started with a recollection of the stories that his father told him.  These were from many traditions, tradition Indian and also the 1,001 Nights, about which he talked at some length. It turns out that he had just published a book called Two Years Eight Months and Twenty Eight Nights  which adds up to 1,001 nights.

Salman Rushdie
photo by Robert Gill

There was a Q&A time after his presentation, and one of his best comments was about writing what you don’t know, emphasizing the fictional part of fiction.

Dartmouth Now – Oct. 28

Valley News – Oct. 27